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The soundtrack to Errol Morris' documentary The Thin Blue Line emphasizes story over music; the interviews which make up the majority of the film -- a crusading effort which led to the the release of its subject, Randall Adams, from a Texas prison -- are presented on record as they were on screen, with Glass' chamber orchestra music hovering in the background.
The result is a soundtrack which comes remarkably close to capturing the power of its source film; even without the moving images, this is a chilling document.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Opening CreditsPhilip Glass | Philip Glass | Play | 01:32 | 3 MB | 0 MB |
| 2 | ProloguePhilip Glass | Philip Glass | Play | 04:43 | 10 MB | 0 MB |
| 3 | VidorPhilip Glass | Philip Glass | Play | 01:49 | 4 MB | 0 MB |
| 4 | Harris' StoryPhilip Glass | Philip Glass | Play | 01:33 | 3 MB | 0 MB |
| 5 | Adams' StoryPhilip Glass | Philip Glass | Play | 01:51 | 4 MB | 0 MB |
| 6 | Comets & VegasPhilip Glass | Philip Glass | Play | 01:37 | 3 MB | 0 MB |
| 7 | The JudgePhilip Glass | Philip Glass | Play | 00:44 | 1 MB | 0 MB |
| 8 | Elba CarrPhilip Glass | Philip Glass | Play | 00:46 | 1 MB | 0 MB |
| 9 | The Thin Blue LinePhilip Glass | Philip Glass | Play | 01:04 | 2 MB | 0 MB |
| 10 | Dr. DeathPhilip Glass | Philip Glass | Play | 04:41 | 10 MB | 0 MB |
| 11 | The Electric ChairPhilip Glass | Philip Glass | Play | 02:53 | 6 MB | 0 MB |
| 12 | Harris' TestimonyPhilip Glass | Philip Glass | Play | 02:03 | 4 MB | 0 MB |
| 13 | Hell on EarthPhilip Glass | Philip Glass | Play | 01:44 | 3 MB | 0 MB |
| 14 | Harris' ChildhoodPhilip Glass | Philip Glass | Play | 02:36 | 5 MB | 0 MB |
| 15 | The ConfessionPhilip Glass | Philip Glass | Play | 02:49 | 6 MB | 0 MB |
| 16 | End CreditsPhilip Glass | Philip Glass | Play | 03:59 | 9 MB | 0 MB |
| 17 | Interrogation, Pt. One | Philip Glass | Play | 02:08 | 4 MB | 0 MB |
| 18 | Interrogation, Pt. Two | Philip Glass | Play | 00:37 | 1 MB | 0 MB |
| 19 | Turko, Pt. One | Philip Glass | Play | 02:38 | 6 MB | 0 MB |
| 20 | Turko, Pt. Two | Philip Glass | Play | 02:03 | 4 MB | 0 MB |
| 21 | The Defense Attorneys, Pt. One | Philip Glass | Play | 02:08 | 4 MB | 0 MB |
| 22 | Harris' Crimes, Pt. One | Philip Glass | Play | 01:42 | 3 MB | 0 MB |
| 23 | The Trial, Pt. One | Philip Glass | Play | 02:38 | 6 MB | 0 MB |
| 24 | The Trial, Pt. Two | Philip Glass | Play | 02:27 | 5 MB | 0 MB |
| 25 | The Mystery Eyewitness, Pt. One | Philip Glass | Play | 03:01 | 6 MB | 0 MB |
| 26 | The Mystery Eyewitness, Pt. Two | Philip Glass | Play | 04:25 | 10 MB | 0 MB |
| 27 | The Mystery Eyewitness, Pt. Three | Philip Glass | Play | 02:48 | 6 MB | 0 MB |
| 28 | The Defense Attorneys, Pt. Two | Philip Glass | Play | 01:00 | 2 MB | 0 MB |
| 29 | The Mystery Eyewitness, Pt. Four | Philip Glass | Play | 01:52 | 4 MB | 0 MB |
| 30 | The Mystery Eyewitness, Pt. Five | Philip Glass | Play | 01:07 | 2 MB | 0 MB |
| 31 | Harris' Crimes, Pt. Two | Philip Glass | Play | 01:35 | 3 MB | 0 MB |
| 68 mins | 157 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | James Allen | Dialogue Editor, Editing |
| 2 | Ted Bafaloukos | Production Design |
| 3 | Tim Baker | Violin |
| 4 | Timothy Baker | Violin |
| 5 | Karl Bargen | Viola |
| 6 | Paul Barnes | Editing |
| 7 | Stephen Burns | Trumpet |
| 8 | Steve Burns | Trumpet |
| 9 | Robert Chappell | Photography, Photography Director |
| 10 | Stefan Czapsky | Photography, Photography Director |
| 11 | Blaise Dupuy | Assistant Engineer, Engineer |
| 12 | Chris Finckel | Cello |
| 13 | Christopher Finckel | Cello |
| 14 | Brad Fuller | Assistant Producer, Associate Producer |
| 15 | Philip Glass | Composer, Keyboards, Primary Artist |
| 16 | Gordon Gottlieb | Percussion |
| 17 | Miles Green | Dialogue Editor, Editing, Engineer, Music Editor, Recording |
| 18 | Robert Horwitz | Producer |
| 19 | Robert Hurwitz | Executive Producer |
| 20 | Rory Johnston | Producer, Production Supervisor |
| 21 | Jamie Kibban | Dialogue Editor |
| 22 | Jaime Kibben | Dialogue Editor, Editing |
| 23 | Brian Koonin | Guitar |
| 24 | Lindsay Law | Executive Producer |
| 25 | Jack Leahy | Engineer, Mixing, Re-Recording Mixer, Recording |
| 26 | Samuel Lehmer | Editing, Engineer, Mixing, Re-Recording Mixer, Recording, Sound Editing, Sound Effects |
| 27 | Mark Lipson | Cover Photo, Photography, Producer |
| 28 | Bob Ludwig | Mastering |
| 29 | Sheila McFarland | Engineer, Sound Assistant |
| 30 | Mario J. McNulty | Engineer |
| 31 | Judith Mendenhall | Flute |
| 32 | Tony Miranda | French Horn |
| 33 | Sharon Moe | French Horn |
| 34 | Stephen Moe | French Horn |
| 35 | Marnie Moore | Assistant Engineer, Engineer, Sound Assistant |
| 36 | Kurt Munkasci | Producer, Soundtrack Producer |
| 37 | Larry Oppenheimer | Assistant Engineer, Engineer, Sound Assistant |
| 38 | Michael Parloff | Flute |
| 39 | Janet Perr | Cover Design, Design |
| 40 | Michael Riesman | Composer, Conductor, Keyboards |
| 41 | Sergiu Schwartz | Violin |
| 42 | Ron Sell | French Horn |
| 43 | Ronald Sell | French Horn |
| 44 | Leslie Shatz | Sound Effects |
| 45 | Randy Thom | Consultant |
| 46 | Barbara Wilson | Bass, Double Bass |
| 47 | Wilmer Wise | Trumpet |
| 48 | Mel Zelniker | Engineer, Re-Recording Engineer, Recording |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |