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Although it has a couple of worthwhile songs, particularly the title track, The Touch is the weakest record Alabama had put out to date.
It follows the same formula as the band's previous records, but given the album's lack of melody or hooks, The Touch is unmemorable.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | "You've Got" the TouchJohn Jarrard, Lisa Palas, William Robinson | Alabama | Play | 04:17 | 9 MB | 23 MB |
| 2 | Vacation | Alabama | Play | 05:35 | 12 MB | 35 MB |
| 3 | True, True Housewife | Alabama | Play | 03:54 | 8 MB | 18 MB |
| 4 | Is This How Love BeginsRobert P. Corbin | Alabama | Play | 02:40 | 6 MB | 15 MB |
| 5 | Cruisin' | Alabama | Play | 03:39 | 8 MB | 23 MB |
| 6 | Touch Me When We're DancingKen Bell, Kenny Bell, Terry Skinner, J.L. Wallace | Alabama | Play | 03:42 | 8 MB | 20 MB |
| 7 | Let's Hear It for the GirlAlan S. Taylor | Alabama | Play | 03:59 | 9 MB | 21 MB |
| 8 | It's All Comin' Back to Me Now | Alabama | Play | 04:29 | 10 MB | 27 MB |
| 9 | I Taught Her Everything She KnowsRussell Gregory Fowler, James Walton Aldridge Jr. | Alabama | Play | 04:37 | 10 MB | 26 MB |
| 10 | Pony ExpressMurray F. Cannon, Theodore Gentry | Alabama | Play | 07:52 | 18 MB | 43 MB |
| 44 mins | 102 MB | |||||
| 44 mins | 255 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Alabama | Primary Artist, Producer |
| 2 | James Walton Aldridge Jr. | Composer |
| 3 | Ken Bell | Composer |
| 4 | Kenny Bell | Composer |
| 5 | David Briggs | Keyboards |
| 6 | Mike Brignardello | Bass |
| 7 | Bill Brunt | Art Direction |
| 8 | Charles Buckins | Percussion |
| 9 | Murray F. Cannon | Composer |
| 10 | Mark Casstevens | Guitar (Acoustic) |
| 11 | George W. Clinton | Assistant Engineer |
| 12 | Jeff Cook | Guitar (Electric) |
| 13 | Robert P. Corbin | Composer |
| 14 | Jim Cotton | Engineer |
| 15 | Roger Cox | Drums |
| 16 | Costo Davis | Synthesizer |
| 17 | Russell Gregory Fowler | Composer |
| 18 | Theodore Gentry | Bass, Composer |
| 19 | Steve Gibson | Guitar, Guitar (Electric) |
| 20 | Paul Goldberg | Assistant Engineer |
| 21 | Greg Gorman | Photography |
| 22 | Rob Hajacos | Fiddle |
| 23 | Roger Hawkins | Drums |
| 24 | Mark Herndon | Drums |
| 25 | John Jarrard | Composer |
| 26 | Bob Mater | Drums |
| 27 | Farrell Morris | Percussion |
| 28 | Randy Owen | Guitar (Electric) |
| 29 | Lisa Palas | Composer |
| 30 | Larry Paxton | Bass |
| 31 | Benny Quinn | Mastering |
| 32 | William Robinson | Composer |
| 33 | Brent Rowan | Guitar (Electric) |
| 34 | Joe Scaife | Engineer |
| 35 | Harold Shedd | Producer |
| 36 | Terry Skinner | Composer |
| 37 | Milton Sledge | Drums |
| 38 | Alan S. Taylor | Composer |
| 39 | J.L. Wallace | Composer |
| 40 | John Willis | Guitar (Electric) |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |