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Although Jane Siberry's big hit singles were a bit too pop-oriented to truly represent her work as a whole, even those who loved her more off-kilter side would have been hard-pressed to have foreseen the direction of The Walking.
For most of the tracks, Siberry dispenses with standard pop construction, instead opting more for a sometimes-surreal narrative approach.
This can be a bit trying for those who value succinctness; of the eight tracks, only one clocks in at less than six minutes.
Musically speaking, however, the playing is still excellent and even some of the epics are pop gems ("Ingrid and the Footman").
It's her most accomplished work to date, but it's bound to lose the casual listener quickly.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | The White Tent the RaftJane Siberry | Jane Siberry | Play | 09:12 | 21 MB | 50 MB |
| 2 | Red High HeelsJane Siberry | Jane Siberry | Play | 07:19 | 16 MB | 41 MB |
| 3 | GoodbyeJane Siberry | Jane Siberry | Play | 04:17 | 9 MB | 19 MB |
| 4 | Ingrid and the FootmanJane Siberry | Jane Siberry | Play | 07:06 | 16 MB | 45 MB |
| 5 | Lena Is a White TableJane Siberry | Jane Siberry | Play | 06:41 | 15 MB | 34 MB |
| 6 | The Walking (And Constantly)Jane Siberry | Jane Siberry | Play | 06:16 | 14 MB | 36 MB |
| 7 | The LobbyJane Siberry | Jane Siberry | Play | 06:19 | 14 MB | 26 MB |
| 8 | The Bird in the GravelJane Siberry | Jane Siberry | Play | 10:34 | 24 MB | 44 MB |
| 57 mins | 132 MB | |||||
| 57 mins | 298 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Anne Bourne | Keyboards, Organ (Hammond), Piano, Vocals |
| 2 | Cherie Camp | Vocals |
| 3 | Al Cross | Drums, Percussion, Tambourine |
| 4 | Stephen Donald | Trombone |
| 5 | Michael Duncan | Assistant Engineer |
| 6 | Wendell Ferguson | Guitar (Electric) |
| 7 | Jeri Heiden | Design |
| 8 | Rebecca Jenkins | Bass, Vocals |
| 9 | Bob Ludwig | Digital Remastering, Mastering |
| 10 | Sarah McElcheran | Trumpet |
| 11 | Peter Mettler | Art Direction, Cover Photo, Design, Jacket Design, Photography |
| 12 | Ken Myhr | Accordion, Guitar, Guitar (Acoustic), Guitar (Electric) |
| 13 | John Naslen | Engineer, Producer |
| 14 | Terry Robertson | Design |
| 15 | Ron Searles | Engineer, Second Engineer |
| 16 | Jane Siberry | Bass, Bells, Composer, Guitar, Keyboards, Piano, Primary Artist, Producer, Vocals, Voices |
| 17 | Karen Simpson | Art Direction, Design, Jacket Design |
| 18 | Gina Stepaniuk | Vocals |
| 19 | John Switzer | Bass, Percussion, Producer, Tambourine |
| 20 | Rob Yale | Keyboards |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |