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With These Days, Bon Jovi firmly established themselves as an adult contemporary act.
They still have their fair share of rockers, but they seem half-hearted and incomplete.
Instead, the band sounds the most comfortable with love ballads and working class anthems, from hits "This Ain't a Love Song" and "Lie to Me," to the acoustic "Diamond Ring." In fact, as the years go by, Bon Jovi gets musically stronger.
Not only are their best songs stronger now, their playing is more accomplished.
Keeping these improvements in mind, it's no surprise that the group was one of the few pop-metal bands to sustain a career in the mid-'90s.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Hey GodJon Bon Jovi, Richie Sambora | Bon Jovi | Play | 06:10 | 14 MB | 46 MB |
| 2 | Something for the PainDesmond Child, Jon Bon Jovi, Richie Sambora | Bon Jovi | Play | 04:48 | 11 MB | 34 MB |
| 3 | This Ain't a Love SongDesmond Child, Jon Bon Jovi, Richie Sambora | Bon Jovi | Play | 05:07 | 11 MB | 31 MB |
| 4 | These DaysJon Bon Jovi, Richie Sambora | Bon Jovi | Play | 06:28 | 14 MB | 43 MB |
| 5 | Lie to MeJon Bon Jovi, Richie Sambora | Bon Jovi | Play | 05:34 | 12 MB | 36 MB |
| 6 | DamnedJon Bon Jovi, Richie Sambora | Bon Jovi | Play | 04:33 | 10 MB | 32 MB |
| 7 | My Guitar Lies Bleeding in My ArmsJon Bon Jovi, Richie Sambora | Bon Jovi | Play | 05:41 | 13 MB | 36 MB |
| 8 | (It's Hard) Letting You GoJon Bon Jovi | Bon Jovi | Play | 05:51 | 13 MB | 34 MB |
| 9 | Hearts Breaking EvenDesmond Child, Jon Bon Jovi | Bon Jovi | Play | 05:06 | 11 MB | 35 MB |
| 10 | Something to Believe InJon Bon Jovi | Bon Jovi | Play | 05:25 | 12 MB | 36 MB |
| 11 | If That's What It TakesJon Bon Jovi, Richie Sambora | Bon Jovi | Play | 05:17 | 12 MB | 38 MB |
| 12 | Diamond RingDesmond Child, Jon Bon Jovi, Richie Sambora | Bon Jovi | Play | 03:47 | 8 MB | 23 MB |
| 13 | All I Want Is Everything | Bon Jovi | Play | 05:16 | 12 MB | 36 MB |
| 14 | Bitter Wine | Bon Jovi | Play | 04:34 | 10 MB | 28 MB |
| 73 mins | 169 MB | |||||
| 73 mins | 495 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Mark Apringer | Assistant Engineer |
| 2 | Bon Jovi | Primary Artist |
| 3 | Jon Bon Jovi | Composer, Harmonica, Percussion, Producer, Vocals, Vocals (Background) |
| 4 | David Bryan | Keyboards, Vocals (Background) |
| 5 | Robbie Buchanan | Keyboards, Programming |
| 6 | David Campbell | Conductor, String Arrangements |
| 7 | Desmond Child | Composer |
| 8 | Bob Clearmountain | Mixing |
| 9 | Jerry Cohen | Keyboards |
| 10 | Peter Collins | Producer |
| 11 | Rory Dodd | Vocals (Background) |
| 12 | Ryan Freeland | Assistant Engineer |
| 13 | Tommy Funderburk | Vocals (Background) |
| 14 | Margery Greenspan | Art Direction, Artwork |
| 15 | Frank Harkins | Design |
| 16 | Randy Jackson | Bass |
| 17 | Suzie Katayama | Accordion, String Contractor |
| 18 | Nathaniel Kunkel | Engineer |
| 19 | Richie La Bamba | Trombone |
| 20 | Jim Labinski | Assistant Engineer |
| 21 | Chris Laidlaw | Assistant Engineer |
| 22 | Manny Lecouna | Assistant Engineer |
| 23 | Cynthia Levine | Photography |
| 24 | Ed Manion | Sax (Baritone) |
| 25 | George Marino | Mastering, Remastering |
| 26 | Pete Martinez | Assistant Engineer |
| 27 | Mark Mason | Assistant Engineer |
| 28 | Hugh McDonald | Bass |
| 29 | The Miami Horns | Ensemble |
| 30 | Tal Miller | Assistant Engineer |
| 31 | Obie O'Brien | Engineer |
| 32 | Mark Pender | Trumpet |
| 33 | Richie Sambora | Composer, Guitar (Acoustic), Guitar (Electric), Producer, Sitar, Sitar (Electric), Vocals (Background) |
| 34 | Jay Schwartz | Engineer |
| 35 | Mike Scotella | Assistant Engineer |
| 36 | Mark Seliger | Photography |
| 37 | Mark Springer | Assistant Engineer |
| 38 | David Thoener | Engineer |
| 39 | Tico Torres | Drums, Percussion |
| 40 | Gabe Veltry | Engineer |
| 41 | Jerry Vivino | Sax (Tenor) |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |