Sale!
Released as a tie-in to Tina Turner's fall 2008 tour of North America, Tina! follows her last greatest-hits album All the Best: The Hits by a mere three years and it has the same number of tracks as its predecessor, six of which are songs shared between the two compilations.
This makes Tina! feel similar to All the Best but it's a different compilation in many ways, with a broader scope, reaching back for "River Deep Mountain High" and "The Acid Queen," neither of which were on the 2005 comp, and containing two previously unreleased bonus tracks.
It also contains a hefty dose of live tracks -- "Let's Stay Together," "I Can't Stand the Rain," and "The Best," are all present in live versions -- her James Bond theme "Goldeneye" and a 1993 re-recording of "Proud Mary." So, Tina! covers a lot of ground and gives a pretty good indication of Turner's far-reaching talents and long-ranging career, but it's also a bit of a mess, jumping between eras, overlooking some big hits, and substituting live versions when the studio is superior.
So don't think of Tina! as a definitive comp, something that has yet to be assembled on Tina, but rather as a sampler that contains some, but not nearly all, of her best.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Steamy WindowsTony Joe White | Tina Turner | Play | 04:05 | 9 MB | 29 MB |
| 2 | Better Be Good to MeMike Chapman, Nicky Chinn, Holly Knight | Tina Turner | Play | 05:10 | 11 MB | 38 MB |
| 3 | What You Get Is What You SeeTerry Britten, Graham Lyle | Tina Turner | Play | 04:28 | 10 MB | 31 MB |
| 4 | What's Love Got to Do With ItTerry Britten, Graham Lyle | Tina Turner | Play | 03:48 | 8 MB | 24 MB |
| 5 | GoldeneyeBono, Dave Evans, David Evans, Paul Hewson | Tina Turner | Play | 04:43 | 10 MB | 32 MB |
| 6 | The BestMike Chapman, Holly Knight | Tina Turner | Play | 05:29 | 12 MB | 42 MB |
| 7 | Proud MaryJohn Fogerty | Tina Turner | Play | 05:26 | 12 MB | 39 MB |
| 8 | Nutbush City LimitsTina Turner | Tina Turner, Ike & Tina Turner | Play | 03:02 | 6 MB | 21 MB |
| 9 | It Would Be a CrimeGuy Chambers, Pat Mohanan | Tina Turner | Play | 03:28 | 7 MB | 24 MB |
| 10 | River Deep Mountain High | Tina Turner | Play | 03:40 | 8 MB | 18 MB |
| 11 | The Acid Queen | Tina Turner | Play | 03:50 | 8 MB | 27 MB |
| 12 | Private Dancer | Tina Turner | Play | 04:01 | 9 MB | 27 MB |
| 13 | We Don't Need Another Hero | Tina Turner | Play | 04:16 | 9 MB | 28 MB |
| 14 | I Don't Wanna Fight | Tina Turner | Play | 04:25 | 10 MB | 33 MB |
| 15 | Let's Stay Together (Amsterdam Live) | Tina Turner | Play | 04:10 | 9 MB | 30 MB |
| 16 | I Can't Stand The Rain (Amsterdam Live) | Tina Turner | Play | 03:19 | 7 MB | 25 MB |
| 17 | Addicted To Love (Camden Palace Live) | Tina Turner | Play | 05:22 | 12 MB | 40 MB |
| 18 | I'm Ready | Tina Turner | Play | 03:44 | 8 MB | 27 MB |
| 76 mins | 175 MB | |||||
| 76 mins | 545 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Tracy Ackerman | Vocals (Background) |
| 2 | Toby Alington | Mixing Engineer |
| 3 | John Altman | Arranger |
| 4 | Eric Ansten | Drums |
| 5 | Craig Armstrong | Arranger |
| 6 | Phil Ashley | Bass, Guitar (Bass), Keyboards |
| 7 | Gary Barnacle | Saxophone |
| 8 | Jeff Barry | Composer |
| 9 | Jeff Beck | Guitar |
| 10 | J.J. Belle | Guitar |
| 11 | Curt Bisquera | Drums |
| 12 | Gene Black | Guitar, Guitar (Rhythm) |
| 13 | Bono | Composer, Executive Producer, Producer |
| 14 | Jeff Bova | Horn |
| 15 | Rick Braun | Trumpet |
| 16 | Bruno Bridges | Programmer |
| 17 | Terry Britten | Bass, Composer, Drums, Guitar, Guitar (Bass), Producer, Programmer, Vocals, Vocals (Background) |
| 18 | Graham Broad | Drums, Percussion |
| 19 | Sharon Brown | Vocals (Background) |
| 20 | Don Bryant | Composer |
| 21 | Andy Bush | Horn |
| 22 | C-N-A | Guitar, Keyboards |
| 23 | Andy Caine | Vocals (Background) |
| 24 | Tim Cappello | Saxophone, Vocals (Background) |
| 25 | Carter | Producer |
| 26 | John Carter | Percussion, Producer |
| 27 | John Carter | Percussion, Producer |
| 28 | Guy Chambers | Composer, Organ (Hammond), Piano, Producer |
| 29 | Mike Chapman | Composer |
| 30 | Toby Chapman | Keyboards |
| 31 | Nicky Chinn | Composer |
| 32 | Alan Clark | Keyboards, Percussion |
| 33 | Joe Clayton | Congas |
| 34 | Mel Collins | Saxophone |
| 35 | Frank Collura | Compilation Producer |
| 36 | Richard Cottle | Keyboards |
| 37 | Lol Creme | Keyboards |
| 38 | Sheryl Crow | Vocals (Background) |
| 39 | Cy Curnin | Vocals (Background) |
| 40 | Roger Davies | Executive Producer, Management, Producer, Vocals (Background) |
| 41 | Chris "Snake" Davis | Horn |
| 42 | Henry Davis | Guitar (Bass) |
| 43 | Marius de Vries | Programmer |
| 44 | Denny Diante | Arranger, Percussion, Producer |
| 45 | Julian Diggle | Percussion |
| 46 | Bernard Doherty | Publicity |
| 47 | Steve DuBerry | Composer, Drum Programming, Keyboards, Vocals (Background) |
| 48 | Anne Dudley | Arranger |
| 49 | Durham Cathedral Choir | Choir/Chorus |
| 50 | The Edge | Executive Producer, Producer |
| 51 | Lance Ellington | Vocals, Vocals (Background) |
| 52 | Dave Evans | Composer |
| 53 | David Evans | Composer |
| 54 | David Evans | Composer |
| 55 | Bob Feit | Guitar (Bass) |
| 56 | Chuck Findley | Trumpet |
| 57 | Lisa Fischer | Vocals (Background) |
| 58 | Richard Flack | Producer, Programming |
| 59 | John Fogerty | Composer |
| 60 | Lulu Frieda | Composer |
| 61 | Tom Fritze | Engineer |
| 62 | Nick Froome | Engineer |
| 63 | Stuart Furusho | Mastering Engineer |
| 64 | Humberto Gatica | Remix Engineer |
| 65 | Mike Ging | Assistant Engineer, Engineer |
| 66 | Nick Glennie-Smith | Keyboards |
| 67 | Jackie Gouché | Vocals (Background) |
| 68 | Al Green | Composer |
| 69 | Ed Green | Drums |
| 70 | Ellie Greenwich | Composer |
| 71 | Andy Hamilton | Horn |
| 72 | Reggie Hamilton | Guitar (Bass) |
| 73 | Steve Hamilton | Horn |
| 74 | Dan Hartman | Engineer, Guitar, Guitar (Acoustic), Keyboards, Organ, Organ (Hammond), Piano, Producer, Vocals, Vocals (Background) |
| 75 | Jimmie Haskell | Arranger, Orchestration, Producer, Synthesizer |
| 76 | Jeri Heiden | Art Direction, Design |
| 77 | Andy Hess | Guitar (Bass) |
| 78 | Paul Hewson | Composer |
| 79 | Mike Higham | Drums |
| 80 | Rupert Hine | Bass, Guitar (Bass), Keyboards, Percussion, Producer, Programmer, Vocals (Background) |
| 81 | Nellee Hooper | Mixing Engineer, Producer |
| 82 | Peter Hope-Evans | Harmonica |
| 83 | Trevor Horn | Vocals (Background) |
| 84 | John Hudson | Engineer, Mixing, Mixing Engineer, Producer, Recording |
| 85 | Phil Hudson | Guitar |
| 86 | Garry Hughes | Keyboards |
| 87 | John Illsley | Bass, Guitar (Bass) |
| 88 | Al Jackson, Jr. | Composer |
| 89 | Graham Jarvis | Drum Programming, Drums |
| 90 | Plas Johnson | Saxophone |
| 91 | Lulu Kennedy-Cairns | Composer |
| 92 | King's House School Choir | Choir/Chorus |
| 93 | Holly Knight | Composer |
| 94 | Mark Knopfler | Composer |
| 95 | Marc Lane | Engineer |
| 96 | Billy Lawrie | Composer |
| 97 | Keith LeBlanc | Drums |
| 98 | Carter Lewis | Percussion, Producer |
| 99 | Elliot Lewis | Keyboards, Strings |
| 100 | J.T. Lewis | Drums |
| 101 | Pete Lincoln | Guitar (Acoustic) |
| 102 | Hal Lindes | Guitar |
| 103 | Alan Lindgren | Synthesizer |
| 104 | Billy Livsey | Keyboards |
| 105 | London Musicians Orchestra | Strings |
| 106 | Chris Lord-Alge | Engineer, Mixing, Mixing Engineer, Producer |
| 107 | Chris Lowe | Keyboards |
| 108 | Lulu | Composer |
| 109 | Graham Lyle | Composer, Mandolin |
| 110 | Duncan Mackay | Horn |
| 111 | Ron Malo | Mixing Engineer, Recording |
| 112 | Steven Manzano | Management |
| 113 | Stephen Marcussen | Mastering Engineer |
| 114 | Ollie Marland | Mixing Engineer, Producer |
| 115 | Jeffrey Marmelzat | Arranger, Keyboards |
| 116 | Eddie Martinez | Guitar, Guitar (Rhythm) |
| 117 | Jean McClain | Vocals (Background) |
| 118 | Lew McCreary | Trombone |
| 119 | Clarence McDonald | Keyboards |
| 120 | Milton McDonald | Guitar |
| 121 | Steve McNamara | Programmer |
| 122 | Andrew McPherson | Photography |
| 123 | Felix Mendelssohn | Arranger |
| 124 | Bernard Miller | Composer |
| 125 | Dominic Miller | Guitar |
| 126 | William Mitchell | Composer |
| 127 | Willie Mitchell | Composer |
| 128 | Pat Mohanan | Composer |
| 129 | Pat Monahan | Vocals (Background) |
| 130 | Trevor Morais | Drums |
| 131 | Trevor Morals | Drums |
| 132 | Charlie Morgan | Drums, Percussion |
| 133 | Simon Morton | Percussion |
| 134 | Jamie Muhoberac | Keyboards |
| 135 | Glen Nakasako | Art Direction, Design |
| 136 | Tessa Niles | Vocals, Vocals (Background) |
| 137 | Charles Olins | Piano |
| 138 | David Paich | Piano |
| 139 | Pino Palladino | Guitar (Bass) |
| 140 | Phil Palmer | Guitar |
| 141 | Robert Palmer | Composer |
| 142 | Ray Parker, Jr. | Guitar |
| 143 | Ann Peebles | Composer |
| 144 | Bill Perkins | Saxophone |
| 145 | Jerry Peters | Keyboards |
| 146 | Adam Phillips | Guitar |
| 147 | Tim Pierce | Guitar |
| 148 | Chris Porter | Engineer |
| 149 | Spencer Proffer | Arranger, Guitar, Producer |
| 150 | Trevor Rabin | Guitar, Vocals (Background) |
| 151 | Serena Radaelli | Hair Stylist |
| 152 | Jennifer Rade | Stylist |
| 153 | Dave Rainger | Guitar |
| 154 | James Ralston | Guitar, Guitar (Rhythm), Vocals (Background) |
| 155 | Brian Rawling | Producer |
| 156 | Delwyn Rees | Management |
| 157 | Conner Reeves | Vocals (Background) |
| 158 | Frank Ricotti | Percussion |
| 159 | Carmine Rojas | Bass, Guitar (Bass) |
| 160 | Alan Ross | Guitar |
| 161 | Ken Russell | Producer |
| 162 | Ken Russell | Producer |
| 163 | Philippe Saisse | Keyboards |
| 164 | Doug Sax | Mastering Engineer |
| 165 | Andrew Scarth | Engineer |
| 166 | Michele Schweitzer | Publicity |
| 167 | Keith Scott | Guitar |
| 168 | Tom Scott | Saxophone |
| 169 | The Sid Sharp Strings | Strings |
| 170 | Steve Sidwell | Trumpet |
| 171 | Phil Spector | Composer, Producer |
| 172 | Paul Starr | Make-Up |
| 173 | Mark "Spike" Stent | Mixing Engineer, Recording |
| 174 | Mike Stevens | Horn |
| 175 | Richie Stevens | Drums |
| 176 | T.M. Stevens | Bass, Guitar (Bass) |
| 177 | Robert Stigwood | Producer |
| 178 | Miriam Stockley | Vocals (Background) |
| 179 | Noel Summerville | Engineer |
| 180 | Ren Swan | Engineer |
| 181 | Sweet | Digital Remastering, Engineer |
| 182 | Stephen W. Tayler | Engineer, Mixing Engineer |
| 183 | Irene Taylor | Management |
| 184 | Mark Taylor | Keyboards, Mixing Engineer, Producer |
| 185 | Mark Taylor | Bass, Keyboards, Mixing, Musician, Producer, Programming |
| 186 | Neil Taylor | Guitar |
| 187 | Brian Tench | Engineer |
| 188 | Neil Tennant | Keyboards, Vocals (Background) |
| 189 | John Thirkell | Horn |
| 190 | Nichol Thompson | Horn |
| 191 | Peter Thoms | Horn |
| 192 | Lee Thornburg | Trombone, Trumpet |
| 193 | Pat Thrall | Guitar |
| 194 | Julia Tillman Waters | Vocals (Background) |
| 195 | Pete Townshend | Composer, Producer |
| 196 | The Tuck Back Twins | Vocals (Background) |
| 197 | Ike Turner | Arranger, Executive Producer, Producer, Vocals |
| 198 | Ike & Tina Turner | Featured Artist, Primary Artist |
| 199 | Tina Turner | Arranger, Composer, Executive Producer, Primary Artist, Producer, Vocals, Vocals (Background) |
| 200 | Tim VanDerKuil | Guitar |
| 201 | Jeffrey "C.J." Vanston | Drum Programming, Keyboards |
| 202 | Jane Ventom | Compilation Producer |
| 203 | Robert Vosgien | Mastering, Mastering Engineer |
| 204 | Larry Walsh | Digital Remastering, Engineer |
| 205 | Paul Walton | Engineer |
| 206 | Tim Weidner | Engineer |
| 207 | Jamie West-Oram | Guitar |
| 208 | Tony Joe White | Bass, Composer, Guitar, Guitar (Bass), Harmonica, Synthesizer |
| 209 | Terry Williams | Drums |
| 210 | Edgar Winter | Saxophone |
| 211 | Art Wood | Bass, Drums, Guitar (Bass) |
| 212 | Gavin Wright | Conductor |
| 213 | Paul Wright III | Engineer |
| 214 | Alan Yoshida | Mastering Engineer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |