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Harry Connick is heard in three roles on this CD.
As a jazz pianist, he makes some cameo appearances and shows that his playing has evolved a bit from his earlier years.
Connick has matured as a vocalist, and he sounds fine backed by a string orchestra and his quartet, never stretching himself.
All ten selections (ballads dealing with love) are his originals, and he displays some talent as a composer/lyricist/arranger, although it is doubtful that any of these numbers will become standards in the future.
A more interesting set overall than his preceding pop date, To See You is a step in the right direction for Harry Connick, Jr., and also features brief, warm tenor solos from Charles Goold.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Let Me Love TonightHarry Connick, Jr. | Harry Connick, Jr. | Play | 10:07 | 23 MB | 49 MB |
| 2 | To See YouHarry Connick, Jr. | Harry Connick, Jr. | Play | 03:58 | 9 MB | 16 MB |
| 3 | Let's Just KissHarry Connick, Jr. | Harry Connick, Jr. | Play | 07:34 | 17 MB | 37 MB |
| 4 | Heart Beyond RepairHarry Connick, Jr. | Harry Connick, Jr. | Play | 08:06 | 18 MB | 39 MB |
| 5 | OnceHarry Connick, Jr. | Harry Connick, Jr. | Play | 06:05 | 13 MB | 28 MB |
| 6 | Learn to LoveHarry Connick, Jr. | Harry Connick, Jr. | Play | 04:42 | 10 MB | 25 MB |
| 7 | Love Me Some YouHarry Connick, Jr. | Harry Connick, Jr. | Play | 08:05 | 18 MB | 39 MB |
| 8 | Much LoveHarry Connick, Jr. | Harry Connick, Jr. | Play | 06:35 | 15 MB | 34 MB |
| 9 | In Love AgainHarry Connick, Jr. | Harry Connick, Jr. | Play | 09:06 | 20 MB | 42 MB |
| 10 | Loved by MeHarry Connick, Jr. | Harry Connick, Jr. | Play | 11:00 | 25 MB | 51 MB |
| 75 mins | 172 MB | |||||
| 75 mins | 365 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Nico Abondolo | Bass |
| 2 | Eun Mee Ahn | Violin |
| 3 | Richard Altenbach | Violin |
| 4 | Phil Ayling | Oboe |
| 5 | Robert Becker | Viola |
| 6 | Robert Berg | Viola |
| 7 | Emily Bernstein | Clarinet |
| 8 | Rev. Dave Boruff | Sax (Alto) |
| 9 | Jacqueline Brand | Violin |
| 10 | Denyse Buffum | Viola |
| 11 | Jodi Burnett | Cello |
| 12 | Darius Campo | Violin |
| 13 | Russ Cantor | Violin |
| 14 | Vincent Caro | Engineer, Mixing |
| 15 | Jim Caruana | Engineer |
| 16 | Ronald Clark | Violin |
| 17 | Paul Cohen | Cello |
| 18 | Charles Coker | Bassoon |
| 19 | Harry Connick, Jr. | Arranger, Composer, Orchestration, Piano, Primary Artist, Vocals |
| 20 | Antony Cooke | Cello |
| 21 | Terry Cravens | Trombone |
| 22 | Wade Culbreath | Percussion |
| 23 | Douglas Davis | Cello |
| 24 | Peter Doell | Engineer |
| 25 | Stephen Erdody | Cello |
| 26 | Chris Ermacoff | Cello |
| 27 | Charles Everett | Violin |
| 28 | David Ewart | Violin |
| 29 | Donald Ferrone | Bass |
| 30 | Brandon Fields | Sax (Alto) |
| 31 | Ronald Folsom | Violin |
| 32 | Bruce Fowler | Trombone |
| 33 | Tracey Freeman | Producer |
| 34 | Juliann French | Violin |
| 35 | Matthew Funes | Viola |
| 36 | Armand Garabedian | Violin |
| 37 | Neil Garber | Bass |
| 38 | Barbara George | Cello |
| 39 | Julie Gigante | Violin |
| 40 | Harris Goldman | Violin |
| 41 | Ned Goold | Sax (Tenor) |
| 42 | Steven Gordon | Viola |
| 43 | Laurence Greenfield | Violin |
| 44 | Julian Hallmark | Violin |
| 45 | Tamara Hatwan | Violin |
| 46 | Paula Hochhalter | Cello |
| 47 | Carrie Holzman-Little | Viola |
| 48 | Alexander Isles | Trombone |
| 49 | J. Alan Johnson | Trombone |
| 50 | Lisa Johnson | Violin |
| 51 | Patricia Johnson | Violin |
| 52 | Karen Jones | Violin |
| 53 | James Kanter | Clarinet |
| 54 | Alan Kaplan | Trombone |
| 55 | Dennis Karmazyn | Cello |
| 56 | Roland Kato | Viola |
| 57 | Peter Kent | Violin |
| 58 | Armen Ksadjikian | Cello |
| 59 | Gary Kuo | Violin |
| 60 | Connie Kupka | Violin |
| 61 | Janet Lakatos | Viola |
| 62 | Timothy Landauer | Cello |
| 63 | Arthur Latin | Drums |
| 64 | Mario de León | Violin |
| 65 | Gayle Levant | Harp |
| 66 | Isabella Lippi | Violin |
| 67 | Dane Little | Cello |
| 68 | John Lorge | French Horn |
| 69 | Joy Lyle | Violin |
| 70 | Rene Mandel | Violin |
| 71 | Michael Markman | Violin |
| 72 | Vladimir Meller | Mastering |
| 73 | Jayme Miller | Violin |
| 74 | Victoria Miskolczy | Viola |
| 75 | Dennis Molchan | Violin |
| 76 | Dan Neufeld | Viola |
| 77 | Michael O'Donovan | Bassoon |
| 78 | Robin Olson | Violin |
| 79 | Simon Oswell | Viola |
| 80 | Sid Page | Concert Master, Violin |
| 81 | Weldon Dean Parks | Guitar |
| 82 | David Parmeter | Bass |
| 83 | Joel Peskin | Sax (Tenor) |
| 84 | Andrew Picken | Viola |
| 85 | Barbara Porter | Violin |
| 86 | Rachel Purkin | Violin |
| 87 | Michael Ramos | Viola |
| 88 | John A. Reynolds | French Horn |
| 89 | Liane Reynolds-Mautner | Violin |
| 90 | Steve Richards | Cello |
| 91 | Rafael Rishik | Violin |
| 92 | Susan Rishik | Violin |
| 93 | Guillermo Romero | Violin |
| 94 | Anatoly Rosinsky | Violin |
| 95 | Robin Ross | Viola |
| 96 | Sheldon Sanov | Violin |
| 97 | Marc Sazer | Violin |
| 98 | David Schumacher | Bass, Flute, Sax (Baritone) |
| 99 | Danny Seidenberg | Viola |
| 100 | Kwihee Shambanari | Violin |
| 101 | Haim Shtrum | Violin |
| 102 | Daniel Smith | Cello |
| 103 | David H. Speltz | Cello |
| 104 | Eve Sprecher | Violin |
| 105 | Ron Strauss | Viola |
| 106 | Polly Sweeney | Violin |
| 107 | Dan Thompson | Engineer |
| 108 | Sebastian Toettcher | Cello |
| 109 | Reginald Veal | Bass, Guest Artist |
| 110 | Jim Walker | Flute |
| 111 | David Washburn | Trumpet |
| 112 | Rob Williams | Engineer |
| 113 | Mark Zimoski | Percussion |
| 114 | Mihail Zinovyev | Viola |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |