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Taken in small doses, Boney James can be enjoyable to listen to.
The Grover Washington-influenced saxophonist always sounds soulful, sincere, and passionate playing over R&B-ish rhythms.
The problem is that James sounds virtually the same on every song he plays, and the individual tunes lack any personality of their own.
So listening to four minutes of Boney James will tell listeners everything that he will play for the next 40 minutes; it does not change or evolve.
And James' recordings do not stand out from each other, so the music on Trust is very similar to that found on all other Boney James CDs.
If you enjoy one Boney James record, you will like them all, but is there any reason to own more than one or two?.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | It's a Beautiful ThingPaul Brown, Jeff Carruthers, Boney James | Boney James | Play | 05:07 | 11 MB | 35 MB |
| 2 | RoadrunnerJim Oppenheim | Boney James | Play | 04:15 | 9 MB | 28 MB |
| 3 | LilyLeon Bisquera, Jim Oppenheim | Boney James | Play | 05:38 | 12 MB | 36 MB |
| 4 | KyotoPaul Brown, Jeff Carruthers, Mark Gregory, Jim Oppenheim, Sam Sims | Boney James | Play | 05:17 | 12 MB | 34 MB |
| 5 | Another Place, Another TimePaul Brown, Jeff Carruthers, Boney James | Boney James | Play | 05:15 | 12 MB | 34 MB |
| 6 | Creepin'Stevie Wonder | Boney James | Play | 03:40 | 8 MB | 18 MB |
| 7 | Personal TouchPaul Brown, Boney James | Boney James | Play | 04:35 | 10 MB | 30 MB |
| 8 | MetropolisPaul Brown, Jeff Carruthers, Mark Gregory, Jim Oppenheim | Boney James | Play | 04:37 | 10 MB | 28 MB |
| 38 mins | 88 MB | |||||
| 38 mins | 248 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Leon Bisquera | Composer, Keyboards |
| 2 | Leon Bisquers | Guitar, Keyboards |
| 3 | Boney James | Arranger, Composer, Keyboards, Primary Artist, Sax (Alto), Sax (Soprano), Sax (Tenor), Synthesizer |
| 4 | Oscar Brashear | Trumpet |
| 5 | Paul Brown | Composer, Engineer, Mixing, Producer |
| 6 | Russell Burt | Engineer, Mixing Assistant |
| 7 | Teresa Caffin | Assistant Engineer |
| 8 | Jeff Carruthers | Arranger, Composer, Keyboards |
| 9 | Lenny Castro | Percussion |
| 10 | Mark Gregory | Composer |
| 11 | Allen Hinds | Guitar, Guitar (Acoustic) |
| 12 | Brian Jackson | Design |
| 13 | Paul Jackson, Jr. | Guitar, Guitar (Acoustic) |
| 14 | Marcos Loya | Guitar |
| 15 | Stephen Marcussen | Mastering |
| 16 | Richard McIntosh | Assistant Engineer |
| 17 | Denise Milford | Photography |
| 18 | Tollak Ollestad | Harmonica |
| 19 | Jim Oppenheim | Composer |
| 20 | Sam Sims | Composer |
| 21 | David Torkanowsky | Keyboards, Piano |
| 22 | Roberto Vally | Bass |
| 23 | Carlos Vega | Drums |
| 24 | Larry Vigon | Art Direction, Design |
| 25 | "Ready" Freddie Washington | Bass |
| 26 | Fred Washington | Bass |
| 27 | W. Barry Wilson | Executive Producer, Producer |
| 28 | Stevie Wonder | Composer |
| 29 | WX | Synthesizer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |