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Wednesday Night in San Francisco: Recorded Live at the Fillmore Auditorium was recorded in June of 1968 -- it's culled from the very same dates as Live Wire/Blues Power.
It's slightly weaker than Live Wire, which isn't surprising since it consists of outtakes.
Nevertheless, Albert King is in fine form throughout the record, throwing out stinging solos with passion.
It's a necessary purchase for any King fan.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Watermelon ManHerbie Hancock | Albert King | Play | 00:58 | 2 MB | 5 MB |
| 2 | Why You So Mean to MeAlbert King | Albert King | Play | 08:05 | 18 MB | 45 MB |
| 3 | I Get EvilAlbert King | Albert King | Play | 05:38 | 12 MB | 32 MB |
| 4 | Got to Be Some Changes MadeAlbert King | Albert King | Play | 09:39 | 22 MB | 53 MB |
| 5 | Personal ManagerAlbert King, David Porter | Albert King | Play | 07:34 | 17 MB | 40 MB |
| 6 | Born Under a Bad SignWilliam Bell, Booker T. Jones | Albert King | Play | 04:25 | 10 MB | 24 MB |
| 7 | Don't Throw Your Love on Me So StrongAlbert King | Albert King | Play | 08:37 | 19 MB | 44 MB |
| 45 mins | 103 MB | |||||
| 45 mins | 246 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | William Bell | Composer |
| 2 | Ron Capone | Engineer |
| 3 | Phil Carroll | Art Direction |
| 4 | Phil DeLancie | Mastering |
| 5 | Willie James Exon | Guitar |
| 6 | Bill Halverson | Engineer |
| 7 | Herbie Hancock | Composer |
| 8 | Lee Hildebrand | Liner Notes |
| 9 | Al Jackson, Jr. | Producer |
| 10 | Booker T. Jones | Composer |
| 11 | Albert King | Composer, Guitar, Primary Artist, Vocals |
| 12 | Danny Kopelson | Remixing |
| 13 | Thiotis Morgan | Drums |
| 14 | Roosevelt Pointer | Bass |
| 15 | David Porter | Composer |
| 16 | David Singer | Artwork |
| 17 | James Washington | Organ |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |