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Sheena Easton explores dance-pop and light urban contemporary music, working in the same arena as Taylor Dayne, Lulu, and Lisa Stansfield (the best of the bunch).
She sounds credible, but has never been among the most soulful or compelling singers.
The production and arrangements are frequently more arresting than her singing.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | What Comes NaturallyAntonina Armato, Nick Mundy | Sheena Easton | Play | 04:32 | 10 MB | 32 MB |
| 2 | If You Wanna Keep MeVassal Benford, Ronald Spearman | Sheena Easton | Play | 04:33 | 10 MB | 31 MB |
| 3 | You Can Swing ItBret "Epic" Mazur, Richard Wolf | Sheena Easton | Play | 04:07 | 9 MB | 29 MB |
| 4 | The First Touch of LoveSheena Easton, Ian Prince | Sheena Easton | Play | 04:34 | 10 MB | 30 MB |
| 5 | Forever FriendsOliver Leiber, Jeff Lorber | Sheena Easton | Play | 04:26 | 10 MB | 28 MB |
| 6 | The Next TimeSheena Easton, David Frank | Sheena Easton | Play | 04:09 | 9 MB | 27 MB |
| 7 | Manic PanicSiedah Garrett, Ian Prince | Sheena Easton | Play | 04:40 | 10 MB | 31 MB |
| 8 | SomebodyIan Prince | Sheena Easton | Play | 04:37 | 10 MB | 30 MB |
| 9 | Time BombMartin Brammer, David Frank | Sheena Easton | Play | 04:15 | 9 MB | 30 MB |
| 10 | Half a HeartDerek Bramble, Sheena Easton, Oliver Leiber | Sheena Easton | Play | 04:04 | 9 MB | 28 MB |
| 11 | To AnyoneDennis Matkosky, Matthew Wilder | Sheena Easton | Play | 04:56 | 11 MB | 32 MB |
| 48 mins | 112 MB | |||||
| 48 mins | 332 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Wolfgang Aichholz | Assistant Engineer |
| 2 | Todd Alan | Coordination |
| 3 | Peter Arata | Mixing |
| 4 | Antonina Armato | Composer |
| 5 | David Baratt | Production Coordination |
| 6 | Ray Bardani | Mixing |
| 7 | David Barratt | Production Coordination |
| 8 | Gregg Barrett | Assistant Engineer |
| 9 | Vassal Benford | Arranger, Composer, Multi Instruments, Producer, Programming, Vocal Arrangement |
| 10 | Shawn Berman | Assistant Engineer |
| 11 | Mildred Black | Vocals (Background) |
| 12 | Ted Blaisdell | Engineer, Mixing |
| 13 | Jimmy Bralower | Drums |
| 14 | Derek Bramble | Composer |
| 15 | Martin Brammer | Composer, Mixing Advisor |
| 16 | Alex Brown | Vocals (Background) |
| 17 | Antoinette Brown | Vocals (Background) |
| 18 | Bob Cadway | Engineer |
| 19 | John Chamberlin | Assistant Engineer |
| 20 | Margo Chase | Artwork, Design |
| 21 | Debbie Cole | Vocals (Background) |
| 22 | John Coulter | Art Direction, Design |
| 23 | David Dachinger | Engineer |
| 24 | Angela Dauphiney | Vocals (Background) |
| 25 | Delissa Davis | Vocals (Background) |
| 26 | Valerie Davis | Vocals (Background) |
| 27 | Doug DeAngelis | Engineer |
| 28 | Denny Diante | Producer |
| 29 | Joey Diggs | Vocals (Background) |
| 30 | Daryll Dobson | Assistant Engineer |
| 31 | Sheena Easton | Composer, Primary Artist, Vocals (Background) |
| 32 | Steve Egleman | Assistant Engineer |
| 33 | Colin England | Vocals (Background) |
| 34 | Joe Franco | Drums |
| 35 | David Frank | Arranger, Composer, Keyboards, Producer |
| 36 | Siedah Garrett | Composer |
| 37 | Jon Gass | Mixing |
| 38 | Portia Griffin | Vocals (Background) |
| 39 | Greg Grill | Engineer, Vocals (Background) |
| 40 | Laura Harding | Production Coordination |
| 41 | Stephen Harrison | Engineer |
| 42 | Steve Harrison | Engineer |
| 43 | Dan Hetzel | Assistant Engineer |
| 44 | Will Lee | Bass (Electric), Guitar (Electric) |
| 45 | Oliver Leiber | Arranger, Composer, Drums, Guitar, Keyboard Programming, Keyboards, Producer, Programming |
| 46 | David Leonard | Remixing |
| 47 | Jeff Lorber | Arranger, Composer, Drums, Engineer, Guitar, Keyboard Programming, Keyboards, Producer, Programming, Vocoder |
| 48 | Peter Martinsen | Engineer, Vocals (Background) |
| 49 | Barron Matalon | Hair Stylist |
| 50 | Dennis Matkosky | Composer |
| 51 | Bret "Epic" Mazur | Composer, Drums, Programming, Vocals (Background) |
| 52 | Paul McKenna | Engineer |
| 53 | Alan Meyerson | Mixing |
| 54 | Steve Milo | Synthesizer |
| 55 | Gabriel Moffat | Engineer |
| 56 | Gil Morales | Assistant Engineer |
| 57 | Nick Mundy | Arranger, Composer, Producer, Synthesizer, Vocals (Background) |
| 58 | B.J. Nelson | Vocals (Background) |
| 59 | Michael O'Reilly | Engineer |
| 60 | Robert Palmer | Guitar |
| 61 | Robert Palmer | Guitar |
| 62 | Dave Pensado | Engineer |
| 63 | Phil Perry | Vocals (Background) |
| 64 | Paul Pesco | Guitar |
| 65 | Valerie Pinkston-Mayo | Vocals (Background) |
| 66 | Neil Pogue | Engineer |
| 67 | Ian Prince | Composer, Drums, Keyboards, Percussion, Producer, Programming, Synthesizer, Vocals (Background) |
| 68 | Marnie Riley | Assistant Engineer |
| 69 | Randee Saint Nicholas | Photography |
| 70 | Ronald Spearman | Arranger, Composer, Vocal Arrangement, Vocals (Background) |
| 71 | St. Paul | Bass (Electric), Keyboards |
| 72 | Donnell Sullivan | Assistant Engineer |
| 73 | Rich Tancredi | Arranger, Keyboards |
| 74 | Alberto Tolot | Photography |
| 75 | Francesca Tolot | Make-Up |
| 76 | Carmen Twillie | Vocals (Background) |
| 77 | Rick Wake | Arranger, Producer |
| 78 | The Waters | Vocals (Background) |
| 79 | Charlene White | Vocals (Background) |
| 80 | Matthew Wilder | Composer |
| 81 | Maxine Willard Waters | Vocals (Background) |
| 82 | Wolf & Epic | Producer |
| 83 | Frank Wolf | Mixing |
| 84 | Richard Wolf | Arranger, Composer, Guitar, Keyboards, Vocal Arrangement, Vocals (Background) |
| 85 | Thomas R. Yezzi | Assistant Engineer |
| 86 | Monalisa Young | Vocals (Background) |
| 87 | Terry Young | Vocals (Background) |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |