Title/Composers | Performer | Listen | Time | Size | Size | |
---|---|---|---|---|---|---|
1 | FearM. Winterwild | Axenstar | Play | 04:22 | 10 MB | 0 MB |
2 | Inside the MazeM. Winterwild | Axenstar | Play | 04:30 | 10 MB | 0 MB |
3 | My SacrificeM. Winterwild | Axenstar | Play | 04:03 | 9 MB | 0 MB |
4 | Curse of the TyrantM. Winterwild | Axenstar | Play | 04:26 | 10 MB | 0 MB |
5 | The ReturnM. Winterwild | Axenstar | Play | 03:32 | 8 MB | 0 MB |
6 | DemiseM. Winterwild | Axenstar | Play | 04:10 | 9 MB | 0 MB |
7 | AnnihilationM. Winterwild | Axenstar | Play | 05:10 | 11 MB | 0 MB |
8 | GreedM. Winterwild | Axenstar | Play | 04:25 | 10 MB | 0 MB |
9 | The ReaperA. Lindberg, M. Winterwild | Axenstar | Play | 04:44 | 10 MB | 0 MB |
10 | This False ImageryM. Winterwild | Axenstar | Play | 04:49 | 11 MB | 0 MB |
11 | Sweet FarewellM. Winterwild | Axenstar | Play | 06:03 | 13 MB | 0 MB |
50 mins | 115 MB | |||||
0 mins | 0 MB |
Note: You are able to listen to 30-second samples for preview purpose.
Artist | Job | |
---|---|---|
1 | Axenstar | Engineer, Primary Artist, Producer |
2 | Daniel Beckman | Mastering |
3 | Felipe Machado Franco | Booklet Design, Cover Art |
4 | Joakim Jonsson | Guitar |
5 | Jens Klovegård | Guitar (Rhythm) |
6 | A. Lindberg | Composer |
7 | Adam Lindberg | Drums |
8 | Lasse Lindén | Photography |
9 | M. Winterwild | Composer, Lyricist |
10 | Pelle Saether | Engineer, Mixing, Producer |
11 | Magnus Winterwild | Bass, Keyboards, Vocals |
Quality | Format | Encoding | Description |
---|---|---|---|
Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |