The Arctic Monkeys' second EP is anchored by "The View from the Afternoon," the only song here to show up on their 2006 debut Whatever People Say I Am, That's What I'm Not, but the remaining four songs are strong, barbed, guitar rock that would've felt at home on the finished album.
First up is the gnarled, nasty "Cigarette Smoker Fiona," which gives way to an effective showcase of Alex Turner's lyrical side on "Despair in the Departure Lounge," whose sparseness and distortion suggests a demo.
"No Buses" trumps "Despair" due to its litheness -- this is the band at their swinging '60s best, only all the allusions are casual -- while the five-minute workout of the title shows the group's facility with syncopated rhythms and multi-tiered structures.
It's not as heavy as the Humbug that would come later, but it points in that general direction.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | No Buses | Arctic Monkeys | Play | 03:17 | 7 MB | 0 MB |
| 3 mins | 7 MB | |||||
| 0 mins | 0 MB | |||||
| Artist | Job | |
|---|---|---|
| 1 | Jim Abbiss | Engineer, Producer |
| 2 | Arctic Monkeys | Primary Artist |
| 3 | Barny | Mixing |
| 4 | Timm Cleasby | Cover Photo |
| 5 | Mike Crossey | Engineer, Mixing, Producer |
| 6 | Ewan Davies | Engineer |
| 7 | Juno Liverpool | Design |
| 8 | Ben Mason | Assistant |
| 9 | Alan Moulder | Mixing |
| 10 | Andy Savors | Assistant |
| 11 | Owen Skinner | Mixing Assistant |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |