Three years after Blind Faith, and two years after the zoo that was Ginger Baker's Air Force -- Denny Laine essentially replacing Eric Clapton in Blind Faith with six more musicians added for good measure -- Jack Bruce mixes the blues of Cream with the hard rock of Mountain while the label gave them maybe a third of the Blind Faith hype.
The verdict? West, Bruce & Laing's Why Dontcha has aged gracefully as an authentic signature of what these artists were doing, but it lacks the staying power of Blind Faith, the fault being the choice of material.
There is no "Theme from an Imaginary Western" here, there is no "Sea of Joy," just a relentless hard rock assault best exemplified by the track "Shake Ma Thing (Rollin Jack)." Here Leslie West and Jack Bruce share vocals, so you get Mountain-meets-Cream, but where they played "Sunshine of Your Love" in concert, there is no riff that awesome here.
And that's all it would have taken, a great riff and tune to carry this project from point A to point B.
"While You Sleep" shows this wild bunch as creative and having fun, and it's a great album track, but not the thing to find them a new audience.
The title tune, "Why Dontcha," is pure Leslie West, but it doesn't reinvent Mississippi Queen, and these gentlemen had to pull a rabbit or two out of their hats.
If anyone doubts Jimmy Miller's ability to make a record album rock, just listen to his protégé Andy Johns fail to follow in his mentor's footsteps.
Miller had three days to put Blind Faith together after months of Steve Winwood and Clapton trying not to step on each other's toes, and he came back for part two, the Royal Albert Hall concert that became Ginger Baker's Air Force.
Why Dontcha, on the other hand, despite the pluses, falls short because it tries too hard, while not putting the effort where it belonged -- in the songwriting and production.
Bet these great talents wish they had this moment in time back.
If these were ex-Grand Funk Railroad members Flint, this would be a great record.
It falls far short of what Jack Bruce, Corky Laing, and Leslie West were capable of.
Title/Composers | Performer | Listen | Time | Size | Size | |
---|---|---|---|---|---|---|
1 | Out into the FieldsPete Brown, Jack Bruce, Corky Laing, Leslie West | West, Bruce & Laing | Play | 04:39 | 10 MB | 24 MB |
2 | The DoctorJack Bruce, Corky Laing, Sue Palmer, Leslie West | West, Bruce & Laing | Play | 04:27 | 10 MB | 25 MB |
3 | Turn Me OverJack Bruce, Corky Laing, Leslie West | West, Bruce & Laing | Play | 02:44 | 6 MB | 15 MB |
4 | Third DegreeEddie Boyd | West, Bruce & Laing | Play | 05:14 | 12 MB | 29 MB |
5 | Shake Ma Thing (Rollin' Jack)Jack Bruce, Corky Laing, Leslie West | West, Bruce & Laing | Play | 03:14 | 7 MB | 18 MB |
6 | While You SleepJack Bruce, Corky Laing, Leslie West | West, Bruce & Laing | Play | 03:24 | 7 MB | 16 MB |
7 | PleasurePete Brown, Jack Bruce, Corky Laing, Leslie West | West, Bruce & Laing | Play | 04:01 | 9 MB | 22 MB |
8 | Love Is Worth the BluesJack Bruce, Corky Laing, Leslie West | West, Bruce & Laing | Play | 04:11 | 9 MB | 22 MB |
9 | Pollution WomanPete Brown, Jack Bruce, Corky Laing, Leslie West | West, Bruce & Laing | Play | 04:26 | 10 MB | 24 MB |
10 | Why Dontcha | West, Bruce & Laing | Play | 03:02 | 6 MB | 16 MB |
39 mins | 90 MB | |||||
39 mins | 217 MB |
Artist | Job | |
---|---|---|
1 | Eddie Boyd | Composer |
2 | Pete Brown | Composer |
3 | Bruce | Performer |
4 | Jack Bruce | ARP Synthesizer, Bass, Bass (Acoustic), Choir/Chorus, Composer, Guitar (Acoustic), Harmonica, Harmonium, Harp, Organ, Piano, Producer, Synthesizer, Vocals, Vocals (Background) |
5 | Andy Johns | Engineer, Producer |
6 | Corky Laing | Composer, Drums, Guitar (Rhythm), Producer, Vocals |
7 | Ed Lee | Art Direction, Design, Photography |
8 | Sue Palmer | Composer |
9 | Roland Scherman | Cover Photo |
10 | Dan Turbeville | Assistant Engineer |
11 | Chris Welch | Liner Notes |
12 | West | Performer |
13 | West, Bruce & Laing | Primary Artist, Producer |
14 | Leslie West | Composer, Dobro, Guitar, Guitar (Acoustic), Producer, Slide Guitar, Vocals |
Quality | Format | Encoding | Description |
---|---|---|---|
Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |