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Sugary, commercial pop/rock isn't necessarily a bad thing, and in fact can be fairly enjoyable in the right hands.
But Wilson Phillips are much too sweet for their own good.
This debut album -- which amazingly went five-times platinum during the early 1990s -- is about as lightweight and sophomoric as it gets.
Chynna Phillips' weak singing on such homogenized, mundane fluff as "Impulsive," "The Dream Is Still Alive," and the chart-topping "Hold On" isn't even remotely convincing.
Compared to Phillips' saccharine performances on "You're in Love" (another major hit) and "A Reason to Believe," even Tiffany and Debbie Gibson's debut albums have some bite.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Hold OnGlen Ballard, Chynna Phillips, Carnie Wilson | Wilson Phillips | Play | 04:27 | 10 MB | 28 MB |
| 2 | Release MeWilson Phillips | Wilson Phillips | Play | 04:55 | 11 MB | 30 MB |
| 3 | ImpulsiveSteve Kipner, Clif Magness | Wilson Phillips | Play | 04:34 | 10 MB | 30 MB |
| 4 | Next to You (Someday I'll Be)David Batteau, Darryl Brown, Madeline Stone | Wilson Phillips | Play | 04:56 | 11 MB | 31 MB |
| 5 | You're in LoveGlen Ballard, Wilson Phillips | Wilson Phillips | Play | 04:50 | 11 MB | 31 MB |
| 6 | Over and OverGlen Ballard, Wilson Phillips | Wilson Phillips | Play | 04:38 | 10 MB | 30 MB |
| 7 | A Reason to BelieveTim Hardin | Wilson Phillips | Play | 04:03 | 9 MB | 26 MB |
| 8 | Ooh You're GoldGlen Ballard, Wilson Phillips | Wilson Phillips | Play | 04:15 | 9 MB | 29 MB |
| 9 | Eyes Like Twins | Wilson Phillips | Play | 05:01 | 11 MB | 33 MB |
| 10 | The Dream Is Still AliveGlen Ballard, Wilson Phillips | Wilson Phillips | Play | 04:08 | 9 MB | 27 MB |
| 45 mins | 104 MB | |||||
| 45 mins | 299 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Glen Ballard | Composer, Engineer, Keyboards, Producer, Rhythm Arrangements, Vocal Arrangement |
| 2 | David Batteau | Composer |
| 3 | Tom Biener | Engineer |
| 4 | Dan Bosworth | Second Engineer |
| 5 | Darryl Brown | Composer |
| 6 | Francis Buckley | Engineer, Mixing |
| 7 | Rick Butz | Second Engineer |
| 8 | Paulinho Da Costa | Percussion |
| 9 | Daryll Dobson | Second Engineer |
| 10 | Basil Fung | Guitar (Rhythm) |
| 11 | Bernie Grundman | Mastering |
| 12 | Tim Hardin | Composer |
| 13 | Jimmy Johnson | Bass |
| 14 | Randy Kerber | Keyboards |
| 15 | Steve Kipner | Composer |
| 16 | Charles Koppelman | Executive Producer |
| 17 | Abraham Laboriel, Sr. | Bass |
| 18 | Michael Landau | Guitar |
| 19 | Mark Larson | Design |
| 20 | Julie Last | Engineer |
| 21 | Jolie Jones Levine | Production Coordination |
| 22 | Steve Lukather | Guitar, Guitar (Rhythm) |
| 23 | Clif Magness | Composer, Engineer, Guitar (Rhythm), Keyboards, Rhythm Arrangements |
| 24 | Bill Malina | Second Engineer |
| 25 | Gabriel Moffat | Engineer |
| 26 | Bill Payne | Guest Artist, Organ |
| 27 | Chynna Phillips | Composer |
| 28 | Rail Jon Rogut | Engineer |
| 29 | Madeline Stone | Composer |
| 30 | Neil Stubenhaus | Bass |
| 31 | Alberto Tallot | Photography |
| 32 | Joe Walsh | Guest Artist, Guitar (Rhythm), Slide Guitar |
| 33 | Tim White | Photography |
| 34 | Wilson Phillips | Composer, Primary Artist, Vocal Arrangement |
| 35 | Carnie Wilson | Composer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |