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Jackson Browne continued amassing a repertoire best suited to an Amnesty International benefit on his second highly politicized album, World in Motion.
War, homelessness, and Oliver North (though not by name) were condemned; freedom, truth, and Nelson Mandela were praised.
Now and then, Browne drew parallels between the personal and the political, notably in the double-edged "Anything Can Happen," but for the most part he sermonized, frequently adopting the generalized terms and reasoning that sermons usually employ.
Except for the gloomy viewpoint, it was hard to recognize the Jackson Browne of his first few albums amid all the commentary, and even if you agreed with his overall political stance, that was disappointing.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | World in MotionJackson Browne | Jackson Browne | Play | 04:26 | 10 MB | 0 MB |
| 2 | Enough of the NightJackson Browne | Jackson Browne | Play | 05:03 | 11 MB | 0 MB |
| 3 | Chasing You into the LightJackson Browne | Jackson Browne | Play | 04:19 | 9 MB | 0 MB |
| 4 | How LongJackson Browne | Jackson Browne | Play | 06:14 | 14 MB | 0 MB |
| 5 | Anything Can HappenJackson Browne | Jackson Browne | Play | 05:07 | 11 MB | 0 MB |
| 6 | When the Stone Begins to TurnJackson Browne | Jackson Browne | Play | 04:51 | 11 MB | 0 MB |
| 7 | The Word JusticeJackson Browne | Jackson Browne | Play | 04:21 | 9 MB | 0 MB |
| 8 | My Personal RevengeJackson Browne | Jackson Browne | Play | 04:07 | 9 MB | 0 MB |
| 9 | I Am a PatriotJackson Browne | Jackson Browne | Play | 04:04 | 9 MB | 0 MB |
| 10 | Lights and VirtuesJackson Browne | Jackson Browne | Play | 04:45 | 10 MB | 0 MB |
| 47 mins | 108 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Alex Acuña | Percussion |
| 2 | Terry Becker | Engineer |
| 3 | Scott Blockland | Assistant Engineer |
| 4 | Jackson Browne | Composer, Guitar, Keyboards, Primary Artist, Producer, Vocals |
| 5 | David Crosby | Guest Artist, Vocals |
| 6 | Dawn Patrol | Art Direction, Design |
| 7 | Craig Doerge | Keyboards |
| 8 | Djene Doumbouya | Vocals |
| 9 | Kevin Dukes | Guitar |
| 10 | Sly Dunbar | Drums |
| 11 | Brinsley Forde | Vocals |
| 12 | James Geddes | Engineer |
| 13 | Bob Glaub | Bass |
| 14 | Jon Douglas Haywood | Bass, Vocals |
| 15 | William Irvin | Production Assistant |
| 16 | Michael Jochum | Drums |
| 17 | Salif Keita | Vocals |
| 18 | Russ Kunkel | Drums |
| 19 | Annie Leibovitz | Photography |
| 20 | Ray Lema | Keyboards, Vocals |
| 21 | Francisco Letelier | Paintings |
| 22 | David Lindley | Guest Artist, Guitar, Guitar (Steel), Violin |
| 23 | Yves N'Djock | Guitar |
| 24 | Jim Nipar | Engineer |
| 25 | Hugo Pebruza | Percussion |
| 26 | Bonnie Raitt | Guest Artist, Vocals |
| 27 | Walfredo Reyes | Conductor, Drums |
| 28 | Tony "Gad" Robinson | Vocals |
| 29 | Doug Sax | Mastering |
| 30 | Robbie Shakespeare | Bass |
| 31 | Sly & Robbie | Guest Artist |
| 32 | Jorge Strunz | Guitar |
| 33 | Scott Thurston | Bass, Keyboards, Producer, Vocals |
| 34 | David Tickle | Engineer, Mixing |
| 35 | Jimmy Wachtel | Art Direction, Design |
| 36 | Lori B. Williams | Vocals |
| 37 | Ed Wong | Technical Engineer |
| 38 | Brice Wouassy | Percussion |
| 39 | Drummie Zeb | Vocals |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |