On their third release, 1995's Yes, Morphine shied away from the more accessible direction they laid down on 1994's superb Cure for Pain, going for a more challenging (but just as rewarding) direction.
While the singles/videos "Honey White" and "Super Sex" did contain a pop edge (and were the album's best), other tracks, such as "The Jury" and "Sharks" pushed the envelope by containing lyrics that sound as if they're stream of consciousness.
Like its predecessor, it's a highly consistent album -- even the lesser-known tracks are integral to the album's overall makeup.
"Scratch," "All Your Way," "I Had My Chance," "Free Love," and "Gone for Good" all sound like the observations of a broken-down man, steeped in despair.
But the mood lightens up on such selections as "Radar" and the title track, plus the aforementioned singles.
With nearly all alt-rock bands sounding identical and bashing angrily away at their instruments in 1995, Morphine proved to be in a league all by themselves.
Yes is perhaps just a shade less spectacular than Cure for Pain, but certainly not by much.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Honey WhiteMark Sandman | Morphine | Play | 03:06 | 7 MB | 0 MB |
| 2 | ScratchMark Sandman | Morphine | Play | 03:13 | 7 MB | 0 MB |
| 3 | RadarMark Sandman | Morphine | Play | 03:28 | 7 MB | 0 MB |
| 4 | WhisperMark Sandman | Morphine | Play | 03:28 | 7 MB | 0 MB |
| 5 | YesMark Sandman | Morphine | Play | 02:00 | 4 MB | 0 MB |
| 6 | All Your WayMark Sandman | Morphine | Play | 03:04 | 7 MB | 0 MB |
| 7 | Super SexMark Sandman | Morphine | Play | 03:53 | 8 MB | 0 MB |
| 8 | The JuryMorphine | Morphine | Play | 02:07 | 4 MB | 0 MB |
| 9 | SharksMark Sandman | Morphine | Play | 02:22 | 5 MB | 0 MB |
| 10 | Free LoveMark Sandman | Morphine | Play | 04:14 | 9 MB | 0 MB |
| 11 | Gone for GoodMark Sandman | Morphine | Play | 02:52 | 6 MB | 0 MB |
| 12 | I Had My Chance | Morphine | Play | 03:05 | 7 MB | 0 MB |
| 36 mins | 84 MB | |||||
| 0 mins | 0 MB | |||||
| Artist | Job | |
|---|---|---|
| 1 | Dana Colley | Wood |
| 2 | Phil Davidson | Mixing |
| 3 | Mike Denneen | Engineer |
| 4 | Paul Q. Kolderie | Engineer, Mixing, Producer |
| 5 | Grimault Laurent | Photography |
| 6 | Morphine | Composer, Primary Artist |
| 7 | Toby Mountain | Mastering |
| 8 | Hans Nuyten | Engineer |
| 9 | Tim O'Heir | Engineer |
| 10 | Mark Sandman | Composer, Mixing, Photography, Producer |
| 11 | R. Spencer | Design |
| 12 | Truman Stiles | Mixing |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |