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Verve/A&M's reissue of Chet Baker's 1977 album You Can't Go Home Again features the trumpeter/vocalist supported by an all-star band that includes guitarist John Scofield, tenor saxophonist Michael Brecker, and alto saxophonist Paul Desmond in his final recording session.
Former Miles Davis sidemen Tony Williams and Ron Carter also add an organic touch to the proceedings and a warm contrast to the electric pianos and Moogs that flow through Don Sebesky's arrangements.
Alternate takes of the title track and others including "I'm Getting Sentimental Over You/You've Changed," "The Best Thing for You," and "If You Could See Me Now" make this double-disc set a more complete look at one of Baker's most important latter-day albums.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Love for SaleCole Porter | Chet Baker | Play | 12:59 | 29 MB | 81 MB |
| 2 | Un Poco LocoBud Powell | Chet Baker | Play | 09:23 | 21 MB | 60 MB |
| 3 | You Can't Go Home AgainDon Sebesky | Chet Baker | Play | 05:44 | 13 MB | 29 MB |
| 4 | El MorroDon Sebesky | Chet Baker | Play | 13:38 | 31 MB | 80 MB |
| 5 | You Can't Go Home AgainDon Sebesky | Chet Baker | Play | 05:44 | 13 MB | 29 MB |
| 6 | El MorroDon Sebesky | Chet Baker | Play | 13:38 | 31 MB | 80 MB |
| 7 | El MorroDon Sebesky | Chet Baker | Play | 13:38 | 31 MB | 80 MB |
| 74 mins | 171 MB | |||||
| 74 mins | 443 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Rochelle Abramson | Violin |
| 2 | Chet Baker | Primary Artist, Trumpet, Vocals |
| 3 | Kenny Barron | Guest Artist, Piano (Electric) |
| 4 | George Bassman | Composer |
| 5 | Richie Beirach | Composer, Guest Artist, Piano (Electric) |
| 6 | Irving Berlin | Composer |
| 7 | Gene Bertoncini | Guest Artist, Guitar |
| 8 | Michael Brecker | Guest Artist, Sax (Tenor) |
| 9 | Johnny Burke | Composer |
| 10 | John Campo | Bassoon |
| 11 | Ron Carter | Bass |
| 12 | Tadd Dameron | Composer |
| 13 | Paul Desmond | Guest Artist, Overdubs, Sax (Alto) |
| 14 | Max Ellen | Violin |
| 15 | James Gavin | Sleeve Notes |
| 16 | Paul Gersham | Violin |
| 17 | Paul Gershman | Violin |
| 18 | Tom Greenwood | Producer, Research Coordination |
| 19 | Diana Halprin | Violin |
| 20 | James Van Heusen | Composer |
| 21 | Edward Heyman | Composer |
| 22 | Alphonso Johnson | Bass (Electric) |
| 23 | Carlos Kase | Production Coordination, Research Coordination |
| 24 | Peter Keepnews | Notes Editing |
| 25 | Hollis King | Art Direction |
| 26 | Harold Kohon | Violin |
| 27 | Bryan Koniarz | Production Coordination |
| 28 | Jamie Krents | Production Assistant, Research Assistant |
| 29 | Hubert Laws | Flute, Guest Artist |
| 30 | Jesse Levy | Cello |
| 31 | Charles Libove | Violin |
| 32 | Ralph MacDonald | Percussion |
| 33 | Tony Martin | Composer |
| 34 | Charles McCracken | Cello |
| 35 | Marvin Morgenstern | Violin |
| 36 | David Nadien | Violin |
| 37 | Cole Porter | Composer |
| 38 | Bud Powell | Composer |
| 39 | Matthew Raimondi | Violin |
| 40 | John Scofield | Guest Artist, Guitar, Guitar (Acoustic), Guitar (Electric) |
| 41 | Don Sebesky | Arranger, Composer, Conductor, Piano (Electric), Producer |
| 42 | Cynthia Sesso | Photography |
| 43 | Alan Shulman | Cello |
| 44 | Carl Sigman | Composer |
| 45 | Sherniece Smith | Art Producer |
| 46 | Traditional | Composer |
| 47 | Ned Washington | Composer |
| 48 | Tony Williams | Drums, Guest Artist |
| 49 | John Wriggle | Production Assistant, Research Assistant |
| 50 | Ben Young | Research Supervisor |
| 51 | Victor Young | Composer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |